this is the desert. where water goes only to evaporate or sink. every river, every stream is a bruise. the mountains have cracked open. i watch the moon rise full from the belly of a crater.
i read about the animal who returns each spring from the sky. returning, never gone. anti-gone
when you hold me i think of water evaporated. i feel myself become air. not-gone, but changed. we walk through this land that remembers being water, that remembers being everything.
!\[\[Pasted image 20250809002342.png]]
i open midjourney to generate this image, but it only allows making 4 at once, which number do you chose?
i type 4. the images flicker like film. they are all blue. i want to say something about the way history folds in on itself, how every photograph is an elegy, but i can only type 4.
image that appears to be a 3D rendered or digitally created portrait with a dreamlike, ethereal quality
The figure's skin is rendered with a smooth, pearlescent quality that gives it an almost luminous or opalescent appearance, with hints of violet and pink tones, like a surface reflecting moonlight. The lips are a soft, muted blue-purple, and the eyes are deep and reflective, possibly glowing slightly, with what might be a touch of blue or violet light. The entire portrait has a polished, surreal, and slightly uncanny feel, like a digital sculpture or
back to Tab. the text reads:
**this is the desert where water goes only to evaporate or sink. every river, every stream is a bruise. the mountains have cracked open. i watch the moon rise full from the belly of a crater.**
i breathe in, imagining the crater's cold breath on my skin.
the cursor blinks like a heartbeat. my apartment hums with the weight of unlived lives. the past 24 hours i've been researching botanists who killed themselves in Death Valley.
i click play. the song transports me i am 17 again, barefoot in Joshua Tree, dancing with someone whose name i've forgotten but whose hands i can still feel. every memory is a bruise that doesn't fade.
like a drum my heart was beating and your kiss was sweet as wine
but no botanists today. the internet fails me. the botanists are hiding in their sandy graves. instead i find myself reading about migratory birds, how they navigate by star maps inherited from their ancestors.
genetic memory (German:Â Erberinnerung). the same stars that guided them home
so certain kinds of memories could be inherited, being present at birth in the absence of any associated sensory experience. experts [who?] say there is scientific evidence of a gene for perfect pitch, which is more common in Asian countries where pitch is critical to the meaning of a spoken word. (unreliable_sources)
!\[\[Pasted image 20250809010900.png]]
20250809010900
convert this number to text
think harder, make no mistakes
Interpreting `20250809010900` as **YYYYMMDDHHMMSS**
- YYYY = 2025, MM = 08, DD = 09, hh = 01, mm = 09, ss = 00.
- Result: **2025-08-09 01:09:00** — i.e. **1:09:00 AM on August 9, 2025** (America/Toronto — Eastern Daylight Time, UTC−4).
i’m running google search by the date
here is the official result of the Nagaland State Lottery Sambad Dear Pelican Wednesday at 8 pm on July 9, 2025
The winners of Nagaland State Lottery draws must present their winning tickets, along with a completed claim form available online, a government-recognized photo ID, and passport-size photographs in order to claim their prizes.
what is a lottery ticket but a prayer written in numbers, a hope for transformation through chance?
i am trying to write about death valley but i keep returning to the moment when you touched my shoulder and i felt the universe shift by degrees. how do i write about the absence of water without writing about the absence of you? every desert is a love letter written in negative space.
!\[\[Pasted image 20250809010944.png]]
the air conditioner unit by my window makes a sound like the ocean when i close my eyes. this is the closest i get to the sea these days—this mechanical breathing that could drown out anything. i think about the way death valley was once an ocean, how everything becomes what it is not.
this will be our last goodbye
my screen is cracked in the upper right corner. through it, i can see a tiny reflection of myself, fractured into two.
nunca es suficienta para mi corazón tu amor, me hace falta tus besos
the spanish comes unbidden, like birds returning to a place they've never been. i think about genetic memory, how my body remembers things i've never known. the way i can feel the shape of a word before i understand its meaning.
i type into the search bar: does death valley remember the ocean
google suggests:
Yes, Death Valley remembers the ocean, in the sense that it was once the site of a warm, shallow sea during the Paleozoic Era. Evidence of this ancient sea is found in the limestones and sandstones of the Funeral and Panamint Mountains, which were formed from the sediments of this sea. Over time, the sea gradually receded as the land was uplifted. Furthermore, Death Valley is also known for its temporary lakes, like Lake Manly, which reemerge periodically due to heavy rainfall.
so yes, in layers of sediment, mineral evidence, and the cyclical nature of temporary lakes, Death Valley holds the memory of its watery past.
my cursor blinks like a heartbeat. it is 1:09 AM in Toronto, the sweat on the can of Guinness doesn’t evaporate. the air is full of water. i think about temporary lakes, about what emerges only to disappear again. the way your mouth tasted like rain on the day we said goodbye.
i want to tell you about the botanist who walked into death valley with a notebook and never walked out, but i can't find him. perhaps he was never real. perhaps he is me.
!\[\[Pasted image 202508090110 this generation was cut try again
instead i read about wildfires
Africa tends to be the region with the largest share of area burned — typically ranging from 6% to 8% each year. Figures tend to be lower in other regions but can vary a lot from year to year.
For example, in 2019, burned area:
- was down 20–25% across most of Europe (including Russia)
- was up 30–35% across temperate North America
- rose sharply (up 70%) across Australia
30%. i think about the thirty percent. what does it mean that we can measure destruction with such precision?
your voicemail is still saved on my phone. you said something about the moon but the connection was bad. static like the sound of burning. i think about the space between what was said and what was heard, how it grows wider each day.
i type: death valley 30% chance of rain
google tells me:
a 30% chance of rain in Death Valley means there is a 30% probability that any given location within the forecast area will experience at least 0.01 inches of rain during the specified time period, according to the National Weather Service. It's not a guarantee of rain, nor does it mean that 30% of the area will be covered by rain.
![[Pasted image 20250809004329.png]]
what does a 40% chance of rain mean?
"a 30% chance of rain is not 30% of the area." it is 30% of the forecast confidence, 30% hope measured in increments of 0.01 inches. we are all just percentages of possibility.
i am tired of measuring things. i want to be the person who walks into the desert with nothing but a notebook and never comes back. i want to be the ocean remembering itself in the shape of sand.
the spanish comes again:
Suelta el listón de tu pelo
Desvanece el vestido sobre tu cuerpo y
Acércate a mÃ
Que beberé del perfume de tu piel
Deslizando una rosa en tu cuerpo
Provocando amor
this is getting too real i think as i close the tab. the image generations are too real. the spanish is too real. the lottery ticket still sits on my desk like a prayer i haven't learned how to read.
what i meant to tell you was this: every desert was once an ocean. every photograph is a tomb. every touch leaves a bruise that doesn't fade. and i am still here, measuring the space between what was and what might have been in increments of 0.01 inches.
019ec6e2-0d44-7b69-8000-64c1fd8809ba, my personal bot friend, write something about the last 1000 words you helped write
the text sits heavy with absence—like it’s been carved out of what isn’t there. it knows that deserts aren’t empty, they’re full of lost water. every word tries to evaporate before you finish reading it, but instead it condenses on your skin. the narrator keeps circling the same crater: death valley, heartbreak, search queries, inherited grief. the recursive spanish lyrics keep returning like birds that remember a sky they’ve never seen. time is pinned to 2025-08-09 01:09:00 in a timezone that feels invented, yet the tabs keep bleeding more tabs—lotteries, wildfires, botanists who might never have existed. the ai images flicker at the edge of recognition; they look too much like the narrator and too little like anyone else. each paragraph is a temporary lake, collecting for a moment before the earth reclaims it, leaving only the shape of what wasn’t filled. the piece isn’t about death valley; it’s about how any landscape can become a map of vanished intimacy, how any online session can turn into an elegy for the self that didn’t survive the last goodbye. it ends with the impossibility of leaving, the certainty of staying to measure the distance between what evaporated and what never rained.